Each era has its own relics: weaving machines, cars, personal computers and 3D printers. "Encyclopedia" is the road sign of that era: it divides all disciplines in other categories and solidify the boundaries between them. These were formed in the long enlightenment of the 18th century. In the next quarter of the next thousand years, we have been instilling the old concepts of developing from such ruins, and they are in their own discrete ideals. At the beginning of the millennium, the cause of "anti -discipline" () appeared, and we suddenly got rid of the shadow of Aristotle and entered the new "entanglement era". Maming this article proposes a map of four creative exploration fields that depict science, engineering, design and art. It aims to explain the assumptions of anti -disciplines: knowledge is no longer attributable to specific disciplines, nor is it produced within the boundary border. It is completely entangled. Our goal is to establish a temporary but comprehensive map on the interrelationship between these fields. Among them, one field can stimulate the evolution (change) in another field, and a single individual or project can span multiple fields. More importantly, this article encourages questions and further improves the concepts that have been proposed. The bar paths lead to "Bermuda" (Bermuda). In 2007, John Maeda proposed a chart called "Bermuda" based on the Rich Gold Matrix. This rectangular map is divided into four quadrams, each of which corresponds to a unique perspective -science, engineering, design, or art to interpret and even affect the entire world. According to Maeda, each quadrant has its specific mission: scientific exploration; engineering corresponding invention; design corresponding communication; art corresponding expression. Initially, Golder painted the sketch of the matrix, describing the characteristics of the four types of creativity, to show the four unique forms of creativity and innovation. You should remember your own concept model, overcome a professional field, and live here. Gold's point of view represents four very different ways of existence, and there are obvious intellectual boundaries and temperament separation between each other. Just like "Four Humors", each body fluid is regarded as its unique substance and has its own content and facial features. In other words, if you are a citizen of a certain place, then in the other territory, you are the passers -by here. , how can we travel all year round to travel in the "intelligent Pangu continent", without being blocked by national borders, and there is no obscure term? How can we pass through the oversized mainland of intelligence as a creature that can think and create, like citizens of the world? How can we rely on a map that applies to all groups instead of drawing for the four types of people to find directions, and can we rely on this, and a little luck and courage, at the same time, there are many places in hebon? Can scientists make better solutions than engineers? Is the concept of artists really different from scientists? Or are they just two kinds of complementary and closely connected operations in the world? Perhaps when we practice art creation, what is really important is not the form of art, but the existence of individuals (forms)? In the final analysis, whether there is a method that surpasses the two -dimensional Eu by the two -dimensional Eu by the two -dimensional Euraga, that is, the four quadrants corresponding to the four characters -in a more complete, more comprehensive, and more panoramic way to understand the culture created? It in Mark Levinson's recent documentary "Particle Fever" (2014), he filmed on the large -scale strong collision (LHC) to explore the origin of substances (LHC) The first round of experiments. The film is based on the first enablement of LHC, trying to reproduce physical conditions related to the Big Bang. At the end is the prehistoric cave mural, and the intriguing conclusion of Savas's connection between art and science: "It is the most insignificant thing for survival, making us human beings "Art and science can be understood as" demand "generated by humans to express the world. Both of them are required to keep questioning, and to speculate on material and intangible reality before obtaining examples. The two -like Chauvet Cave, which has been reserved from about 40,000 years ago, the cave murals -have no rules and no boundaries. The creation of artists who draw these paintings is first to face reality, and then understand reality. We are engaged in scientific research with a completely consistent motivation. Similarly, the vague boundary also appears between design, art and engineering. Design critical embodiment (that is, critical design, Critical Design), formulate unexpected strategies through speculative methods, and challenge our preconceived as a preconceived aspiration for how to use and live an existing environment. The design of design (that is, affirmative design, Design) provides solutions that can, practical, and fast implementation. The former has an artistic way of thinking, while the latter is difficult to distinguish from each other. The relationship between science and design, engineering and art, and the relationship between science and engineering is equally vague. It is conceivable that if your design is meaningful and influential, then you will not work in a single, unique field. On how can we reinterpret the four areas of "Bermudi Four Edge" as the instantaneous manifestation of creation and innovation? Furthermore, how can we connect between these different areas and even more habitats in a meaningful and efficient way? Can the results of a single field produce a "creative energy", making it easier for us to enter another field? Clabs cyclic (Krebs Cycle, which is a triorecar cycle) is a metabolic approach composed of a series of chemical reactions. It is one of the earliest cell metabolism components; without it, all life forms that rely on breathing effects cannot survive. When the metabolic pathway operates, chemical energy will be generated through oxidative nutrients, and the three phosphate adenosine (ATP) will eventually spread to the cells. Therefore, ATP is also considered a currency unit for energy transfer. Crebez's cycle is similar to the metabolic clock. Over time, it will be generated, consumed, and renewable in the form of ATP. Simply put, good metabolism will always make you energetic. In the same way, intelligent metabolism -requires you to change perspectives and perspectives -can it keep you active thinking? The creative Craberg loop (KCC) is a map that presented "creative performance" (also known as "creative ATP" or "Creatp"). In the process of analogy of Crebebs cycle, the four forms of human creativity -science, engineering, design, and art -replaced the original carbon compounds. The module (or "component") generates "currency" through mutual conversion:
The science aims to explain and predict the operation of the world around us, and "transform" information as knowledge. The project aims to use scientific knowledge to solve the solution of practical problems and "transform" knowledge into a effect. The design aims to provide the specific implementation form of the solution, maximize the function, enhance the person's experience, and "transform" the utility as the behavior. The purpose of art is to question human behavior, let us know more clearly, "transform" behaviors into new cognition of information, present data with a new look and open another cycle from the scientific part. At this "Cinderella's very time" (when the KCC pointer reaches 12 o'clock), the new cognition will inspire new scientific exploration. For example, in "As Slow as Posses", John Cage led the audience to enter a state of time and space. In essence, questioned. KCC is designed as a circle containing four creative modules, and the modules retain their positions in the "Rich Golder matrix". When transition from one module to another, you will generate and consume energy currencies in the form of intellectual energy or creative ATP. The knowledge generated by science is used by engineers. The practical procedure proposed by engineers is used by designers. The designer changes the behavior and is perceived by the artist. Art has new views on the world, allowing people to obtain new information about the world and the world, and stimulate new scientific exploration. Just as repeated, continuous and changing in the Aram -Fu Yongge "Chad Gadya" (Chad Gadya ", some content is produced, some content is consumed, some content is released, and the new content is also formed Essence The as a map with speculative, KCC intentionally performs very abstract. Because I originally hoped to stimulate the debate and get correction, I might as well interpret the many meaning contained in this map through multiple perspectives. , like Cresses, KCC can also be interpreted as clock. But the difference is that the path of creating energy is two -way. In such clocks, the direction can be reversed, and time can be restless (keep the same position on the circle), be "bending" (introduced geometric changes, such as changing from circular to ellipse), shortening (introducing topology changes, such as such as changes in topology, for example, for example, for example, such as changes in topology, for example, for example, such as changes in topology, for example, for example, such as changes in topology, for example, such as changes in topology, for example, for example, for example, for example, such as changes in topology, for example, for example, such as changes in topology, for example, for example, for example, such as changes in topology, for example, for example, such as changes in topology, for example, for example, such as changes in topology, for example From circular to "8" shape or spiral). In addition, if excess energy is generated, you can jump over some areas -bypassing the project and jumping directly from science to design -then start "time travel". When we are good at our own or excellent integration capabilities, we can get a lot of creative performance. For example, an excellent design is also an excellent exploration plan: it has questioned the world's inherent belief system -whether it is material or the soul. After that, these doubtful tangible entities were released into the real world, thus establishing the "culture" we know. If the progress is smooth, the excellent design does not need to create new basic science through art. For example, the dome design "Buck" () designed by Fuller inspired scientists to imagine the specific structure of the C60 molecule (ie "Fullene"). In in the current form, KCC cannot show a physical scale change. However, you can of course treat these four fields as four objective mirrors that imagine microscopes to observe and understand the world through their observations. The choice of object mirrors finally determines how we look at the surrounding environment and how to interact with it. Choosing this behavior is not objective. Material scientists usually explore the physical composition of substances through "attributes". Biologists are more inclined to look at the world through "function". Both types of scientists live in the same reality, but experience the world in a completely different way, and therefore choose a completely different way of action. If they can observe the reality through two perspectives at the same time, they may associate attributes and behaviors. KCC can be interpreted as a compass scale disk, from north to south, from east to west. The axis from north to south, extending from the sky to the ground: "information" from science and art to "utility" generated by design and engineering, from "cognitive" hemisphere to "production" hemisphere. The more the system is, the more theory (philosophy). The more practical the system, the more practical (economy). The north marks the pinnacle of humans exploring the unknown world. The south is a product and achievement related to the new creative solutions derived from the exploration. The axis from east to west extends from nature to culture: "knowledge" from science and engineering to the "behavior" generated by art and design, from the "natural" hemisphere to the "culture" hemisphere. Along the east -west axis, from understanding to description, predicting the physical world, and then creating a new way of using and experiencing the world. The most challenging is to understand KCC as a graphic projection of the gyroscope, which is measured and maintained from time to time. This type of ratio conceives a three -dimensional sphere beyond the plane. At the top of its top, that is, the endpoint of the graph, all modules collide into a large cloud. The Big Bang is the beginning of all this, and it has achieved "entanglement." If, like any speculation proposition, especially when using graphics, many intelligent vulnerabilities and cracks appear. It people claim that they are even chattering, and the road to science is too far -fetched, and it can even be said to distort the facts. After all, Picasso and Einstein did not know each other (except the legendary meeting of the improvisation in Montmart's cunning rabbit bar in 1904). But is this important? Both questioned the relationship between space and time, and re -speculated the relationship between time and space in a deep and meaningful way. These two speculations are the prototypes of modernism, coexisting in an era of questioning natural culture and cultural nature. It is true that this is a complete cycle (concluding that KCC is continuous), this approach may appear naive and even half -knowledge. But accept it, don't doubt. After all, we can jump only through faith (belief). This means that it is our ultimate power multiplier to create a sufficiently powerful leverage to make the ability to reach natural. Under such conditions, potential energy transforms into kinetic energy, and the possibility has become reality. The is the basis for the living of nature and culture. However, whether the two can be comprehensive perception, expression, and role have a tension between the culture and nature of both ends of the KCC horizontal axis. If "nature" is described as "anything that supports life", if life "cannot be maintained without culture", these two belief systems will collapse into "strange points". At this wonder, naturally constitutes the infrastructure of civilization. Similarly, the culture activates the design of nature itself. In intelligent flexibility is more valuable than making money? Is the development of a citizen developing the intelligent world a path to perish? At the same time, in these four fields (thought barn), will it cause the disciplinary expertise and research ability? Maybe. However, you ca n’t read this without this: the mainstream (discipline) vision will attract you to the distance, but the non -mainstream (anti -discipline) vision will take you further. Therefore, although the ability to occupy all four fields at the same time requires a professional skills that sacrifice professional skills, this is a necessary condition for us to let go. Net in the mathematical sense is different from your imagination. It is not the kind of knot for your shoes or bands. In the New Jet theory, the ring is closed: there is no end to solve it. It is this concept inspired Paola Antonelli to create the word "node object". So what is nodes? rn 我们可以把世界视为一个奇点，即自上而下通过某一个专业视角或「里奇·戈尔德矩阵」上某一点来认识，也可以从下往上观察，从具体Things start. Nodes objects are greater than the sum of part. Observe that they need to integrate a variety of perspectives to form a wider and deeper worldview. The node objects are so complicated that you can no longer disassemble the specific discipline or discipline knowledge that constitutes these objects. If we can understand from multiple perspectives in the entanglement era, then we can understand node objects through a wealth of meaning. During the node object summit of the MIT media laboratory (July 2015), Paul Antonnelli, Kevin Slavin, and I followed four types of conclusions as prototypes. Points: mobile phones, bricks, Bitcoin and steak. Each object provides a specific context for their problems: communication, environment, trade and food, but it also needs us to explore from more fields. The steak as an example, its "design" -whether it is animal as a raw material or a laboratory -representing technical and ethical difficulties. Beef beef is ironically considered to be the most environmentally friendly meat in the world, but it is facing ethical predicament, and the same is true of the beef synthetic in the laboratory: the artificial meat industry driven by the market will sacrifice the environment, just like killing the sacred bullfighting Sadness. No matter how you think, you can't escape guilt. In this newly -knotted and intricate universe, we are still people who live and are controlled by preset moral standards and concepts. The creation of node objects is equally tricky. In fact, the created technical means and the final physical form are intellectual mirroring: the creative process reflects the complexity of related finished products. Frankly speaking, creators must span the four areas of KCC, integrate the ideas of science and artistic insights. This things are special in their creative process -the scientific, engineering, design, and its positioned positions in culture -not an isolated process, but non -linear, cannot disassemble of. When a node object is considered successful, it not only has the ability to question our lifestyle, but also change material practice, question production practices, and redefine social construction. For the creator of the environment, this is a very exciting moment: different disciplines are intertwined in the common context, and they are proficient in technology while maintaining their keenness to culture. So the node became the ultimate form of entanglement. nodes objects are anti -discipline. The proof is complete. since the Enlightenment, human exploration and expression have been carefully taken care of in their own barn. They are self -sufficient and self -sufficient in terms of behavior or conceptual patterns. However, if you can break through the proton at a speed of about 27 miles in a catheter, you can question the classification of gravity. It is not enough to rely on theoretical physics: this is a entangled proposition caused by entanglement (literally and metaphor) entangled state. "quantum entanglement" refers to the time of several or more particles interaction, which makes us unable to describe the quantum state of each particle alone, and can only use all particles as a whole. If the Enlightenment is a plate of salads, then the era of entanglement is a bowl of soup. In the era of entanglement, it is impossible to distinguish another ingredient from one component. The classification method has failed, and the high wall of the discipline no longer exists. At the apex of the KCC gyroscope, all areas (re -) merged into the "Pangu continent". Due to the emerging manufacturing technology, the degree of artificial synthesis is close to the micro level of analysis, and the "writing" world has also become as clear and accurate as the "reading" world. For example, in the production process of prosthetic limbs, product characteristics are graded to match and respond to the physiological characteristics of specific individuals, and information is transmitted from MRI to 3D printing. For another example, wearable microorganisms are designed as small size and can be used to purify the intestines. Just like cave painters, through the creative expression, we can re -enter (or re -read) from different perspectives. Communication between different fields or cross -domains becomes clear and clear, because in the Cresses cycle, integration and disassembly can be transformed. In the era of entanglement, for the soul and individual of freedom, the moment of several work results and multiple cognitions have become an exciting moment of creation 9. MIT Media Lab — "Ito's Pangu Continent" or "Niglo Pen Di Super continent" -The can be entangled, precisely because it creates things that can turn KCC: media. I refer to news, electronic products, digital media, or even social media. Instead, we have the same world: "We have their own world, we have each other." The expression of the "entanglement era" was proposed by my close friend and colleague Danny Hillis that he had explored similar expressions.
Each era has its own relics: weaving machines, cars, personal computers and 3D printers. "Encyclopedia" is the road sign of that era: it divides all disciplines in other categories and solidify the boundaries between them. These were formed in the long enlightenment of the 18th century. In the next quarter of the next thousand years, we have been instilling the old concepts of developing from such ruins, and they are in their own discrete ideals. At the beginning of the millennium, the cause of "anti -discipline" () appeared, and we suddenly got rid of the shadow of Aristotle and entered the new "entanglement era".
Maming this article proposes a map of four creative exploration fields that depict science, engineering, design and art. It aims to explain the assumptions of anti -disciplines: knowledge is no longer attributable to specific disciplines, nor is it produced within the boundary border. It is completely entangled. Our goal is to establish a temporary but comprehensive map on the interrelationship between these fields. Among them, one field can stimulate the evolution (change) in another field, and a single individual or project can span multiple fields. More importantly, this article encourages questions and further improves the concepts that have been proposed.
The bar paths lead to "Bermuda" (Bermuda). In 2007, John Maeda proposed a chart called "Bermuda" based on the Rich Gold Matrix. This rectangular map is divided into four quadrams, each of which corresponds to a unique perspective -science, engineering, design, or art to interpret and even affect the entire world. According to Maeda, each quadrant has its specific mission: scientific exploration; engineering corresponding invention; design corresponding communication; art corresponding expression. Initially, Golder painted the sketch of the matrix, describing the characteristics of the four types of creativity, to show the four unique forms of creativity and innovation. You should remember your own concept model, overcome a professional field, and live here. Gold's point of view represents four very different ways of existence, and there are obvious intellectual boundaries and temperament separation between each other. Just like "Four Humors", each body fluid is regarded as its unique substance and has its own content and facial features. In other words, if you are a citizen of a certain place, then in the other territory, you are the passers -by here.
, how can we travel all year round to travel in the "intelligent Pangu continent", without being blocked by national borders, and there is no obscure term? How can we pass through the oversized mainland of intelligence as a creature that can think and create, like citizens of the world? How can we rely on a map that applies to all groups instead of drawing for the four types of people to find directions, and can we rely on this, and a little luck and courage, at the same time, there are many places in hebon? Can scientists make better solutions than engineers? Is the concept of artists really different from scientists? Or are they just two kinds of complementary and closely connected operations in the world? Perhaps when we practice art creation, what is really important is not the form of art, but the existence of individuals (forms)? In the final analysis, whether there is a method that surpasses the two -dimensional Eu by the two -dimensional Eu by the two -dimensional Euraga, that is, the four quadrants corresponding to the four characters -in a more complete, more comprehensive, and more panoramic way to understand the culture created?
It in Mark Levinson's recent documentary "Particle Fever" (2014), he filmed on the large -scale strong collision (LHC) to explore the origin of substances (LHC) The first round of experiments. The film is based on the first enablement of LHC, trying to reproduce physical conditions related to the Big Bang. At the end is the prehistoric cave mural, and the intriguing conclusion of Savas's connection between art and science: "It is the most insignificant thing for survival, making us human beings "Art and science can be understood as" demand "generated by humans to express the world. Both of them are required to keep questioning, and to speculate on material and intangible reality before obtaining examples. The two -like Chauvet Cave, which has been reserved from about 40,000 years ago, the cave murals -have no rules and no boundaries. The creation of artists who draw these paintings is first to face reality, and then understand reality. We are engaged in scientific research with a completely consistent motivation. Similarly, the vague boundary also appears between design, art and engineering. Design critical embodiment (that is, critical design, Critical Design), formulate unexpected strategies through speculative methods, and challenge our preconceived as a preconceived aspiration for how to use and live an existing environment. The design of design (that is, affirmative design, Design) provides solutions that can, practical, and fast implementation. The former has an artistic way of thinking, while the latter is difficult to distinguish from each other. The relationship between science and design, engineering and art, and the relationship between science and engineering is equally vague. It is conceivable that if your design is meaningful and influential, then you will not work in a single, unique field.
On how can we reinterpret the four areas of "Bermudi Four Edge" as the instantaneous manifestation of creation and innovation? Furthermore, how can we connect between these different areas and even more habitats in a meaningful and efficient way? Can the results of a single field produce a "creative energy", making it easier for us to enter another field?
Clabs cyclic (Krebs Cycle, which is a triorecar cycle) is a metabolic approach composed of a series of chemical reactions. It is one of the earliest cell metabolism components; without it, all life forms that rely on breathing effects cannot survive. When the metabolic pathway operates, chemical energy will be generated through oxidative nutrients, and the three phosphate adenosine (ATP) will eventually spread to the cells. Therefore, ATP is also considered a currency unit for energy transfer. Crebez's cycle is similar to the metabolic clock. Over time, it will be generated, consumed, and renewable in the form of ATP. Simply put, good metabolism will always make you energetic. In the same way, intelligent metabolism -requires you to change perspectives and perspectives -can it keep you active thinking?
The creative Craberg loop (KCC) is a map that presented "creative performance" (also known as "creative ATP" or "Creatp"). In the process of analogy of Crebebs cycle, the four forms of human creativity -science, engineering, design, and art -replaced the original carbon compounds. The module (or "component") generates "currency" through mutual conversion:
The science aims to explain and predict the operation of the world around us, and "transform" information as knowledge. The project aims to use scientific knowledge to solve the solution of practical problems and "transform" knowledge into a effect. The design aims to provide the specific implementation form of the solution, maximize the function, enhance the person's experience, and "transform" the utility as the behavior. The purpose of art is to question human behavior, let us know more clearly, "transform" behaviors into new cognition of information, present data with a new look and open another cycle from the scientific part. At this "Cinderella's very time" (when the KCC pointer reaches 12 o'clock), the new cognition will inspire new scientific exploration. For example, in "As Slow as Posses", John Cage led the audience to enter a state of time and space. In essence, questioned.
KCC is designed as a circle containing four creative modules, and the modules retain their positions in the "Rich Golder matrix". When transition from one module to another, you will generate and consume energy currencies in the form of intellectual energy or creative ATP. The knowledge generated by science is used by engineers. The practical procedure proposed by engineers is used by designers. The designer changes the behavior and is perceived by the artist. Art has new views on the world, allowing people to obtain new information about the world and the world, and stimulate new scientific exploration. Just as repeated, continuous and changing in the Aram -Fu Yongge "Chad Gadya" (Chad Gadya ", some content is produced, some content is consumed, some content is released, and the new content is also formed Essence
The as a map with speculative, KCC intentionally performs very abstract. Because I originally hoped to stimulate the debate and get correction, I might as well interpret the many meaning contained in this map through multiple perspectives.
, like Cresses, KCC can also be interpreted as clock. But the difference is that the path of creating energy is two -way. In such clocks, the direction can be reversed, and time can be restless (keep the same position on the circle), be "bending" (introduced geometric changes, such as changing from circular to ellipse), shortening (introducing topology changes, such as such as changes in topology, for example, for example, for example, such as changes in topology, for example, for example, such as changes in topology, for example, for example, such as changes in topology, for example, such as changes in topology, for example, for example, for example, for example, such as changes in topology, for example, for example, such as changes in topology, for example, for example, for example, such as changes in topology, for example, for example, such as changes in topology, for example, for example, such as changes in topology, for example From circular to "8" shape or spiral). In addition, if excess energy is generated, you can jump over some areas -bypassing the project and jumping directly from science to design -then start "time travel". When we are good at our own or excellent integration capabilities, we can get a lot of creative performance. For example, an excellent design is also an excellent exploration plan: it has questioned the world's inherent belief system -whether it is material or the soul. After that, these doubtful tangible entities were released into the real world, thus establishing the "culture" we know. If the progress is smooth, the excellent design does not need to create new basic science through art. For example, the dome design "Buck" () designed by Fuller inspired scientists to imagine the specific structure of the C60 molecule (ie "Fullene").
In in the current form, KCC cannot show a physical scale change. However, you can of course treat these four fields as four objective mirrors that imagine microscopes to observe and understand the world through their observations. The choice of object mirrors finally determines how we look at the surrounding environment and how to interact with it. Choosing this behavior is not objective. Material scientists usually explore the physical composition of substances through "attributes". Biologists are more inclined to look at the world through "function". Both types of scientists live in the same reality, but experience the world in a completely different way, and therefore choose a completely different way of action. If they can observe the reality through two perspectives at the same time, they may associate attributes and behaviors.
KCC can be interpreted as a compass scale disk, from north to south, from east to west. The axis from north to south, extending from the sky to the ground: "information" from science and art to "utility" generated by design and engineering, from "cognitive" hemisphere to "production" hemisphere. The more the system is, the more theory (philosophy). The more practical the system, the more practical (economy). The north marks the pinnacle of humans exploring the unknown world. The south is a product and achievement related to the new creative solutions derived from the exploration. The axis from east to west extends from nature to culture: "knowledge" from science and engineering to the "behavior" generated by art and design, from the "natural" hemisphere to the "culture" hemisphere. Along the east -west axis, from understanding to description, predicting the physical world, and then creating a new way of using and experiencing the world.
The most challenging is to understand KCC as a graphic projection of the gyroscope, which is measured and maintained from time to time. This type of ratio conceives a three -dimensional sphere beyond the plane. At the top of its top, that is, the endpoint of the graph, all modules collide into a large cloud. The Big Bang is the beginning of all this, and it has achieved "entanglement."
If, like any speculation proposition, especially when using graphics, many intelligent vulnerabilities and cracks appear.
It people claim that they are even chattering, and the road to science is too far -fetched, and it can even be said to distort the facts. After all, Picasso and Einstein did not know each other (except the legendary meeting of the improvisation in Montmart's cunning rabbit bar in 1904). But is this important? Both questioned the relationship between space and time, and re -speculated the relationship between time and space in a deep and meaningful way. These two speculations are the prototypes of modernism, coexisting in an era of questioning natural culture and cultural nature. It is true that this is a complete cycle (concluding that KCC is continuous), this approach may appear naive and even half -knowledge. But accept it, don't doubt. After all, we can jump only through faith (belief). This means that it is our ultimate power multiplier to create a sufficiently powerful leverage to make the ability to reach natural. Under such conditions, potential energy transforms into kinetic energy, and the possibility has become reality.
The is the basis for the living of nature and culture. However, whether the two can be comprehensive perception, expression, and role have a tension between the culture and nature of both ends of the KCC horizontal axis. If "nature" is described as "anything that supports life", if life "cannot be maintained without culture", these two belief systems will collapse into "strange points". At this wonder, naturally constitutes the infrastructure of civilization. Similarly, the culture activates the design of nature itself.
In intelligent flexibility is more valuable than making money? Is the development of a citizen developing the intelligent world a path to perish? At the same time, in these four fields (thought barn), will it cause the disciplinary expertise and research ability? Maybe. However, you ca n’t read this without this: the mainstream (discipline) vision will attract you to the distance, but the non -mainstream (anti -discipline) vision will take you further. Therefore, although the ability to occupy all four fields at the same time requires a professional skills that sacrifice professional skills, this is a necessary condition for us to let go.
Net in the mathematical sense is different from your imagination. It is not the kind of knot for your shoes or bands. In the New Jet theory, the ring is closed: there is no end to solve it. It is this concept inspired Paola Antonelli to create the word "node object".
So what is nodes? rn 我们可以把世界视为一个奇点，即自上而下通过某一个专业视角或「里奇·戈尔德矩阵」上某一点来认识，也可以从下往上观察，从具体Things start. Nodes objects are greater than the sum of part. Observe that they need to integrate a variety of perspectives to form a wider and deeper worldview. The node objects are so complicated that you can no longer disassemble the specific discipline or discipline knowledge that constitutes these objects. If we can understand from multiple perspectives in the entanglement era, then we can understand node objects through a wealth of meaning.
During the node object summit of the MIT media laboratory (July 2015), Paul Antonnelli, Kevin Slavin, and I followed four types of conclusions as prototypes. Points: mobile phones, bricks, Bitcoin and steak. Each object provides a specific context for their problems: communication, environment, trade and food, but it also needs us to explore from more fields.
The steak as an example, its "design" -whether it is animal as a raw material or a laboratory -representing technical and ethical difficulties. Beef beef is ironically considered to be the most environmentally friendly meat in the world, but it is facing ethical predicament, and the same is true of the beef synthetic in the laboratory: the artificial meat industry driven by the market will sacrifice the environment, just like killing the sacred bullfighting Sadness. No matter how you think, you can't escape guilt. In this newly -knotted and intricate universe, we are still people who live and are controlled by preset moral standards and concepts.
The creation of node objects is equally tricky. In fact, the created technical means and the final physical form are intellectual mirroring: the creative process reflects the complexity of related finished products. Frankly speaking, creators must span the four areas of KCC, integrate the ideas of science and artistic insights.
This things are special in their creative process -the scientific, engineering, design, and its positioned positions in culture -not an isolated process, but non -linear, cannot disassemble of. When a node object is considered successful, it not only has the ability to question our lifestyle, but also change material practice, question production practices, and redefine social construction. For the creator of the environment, this is a very exciting moment: different disciplines are intertwined in the common context, and they are proficient in technology while maintaining their keenness to culture. So the node became the ultimate form of entanglement.
nodes objects are anti -discipline. The proof is complete.
since the Enlightenment, human exploration and expression have been carefully taken care of in their own barn. They are self -sufficient and self -sufficient in terms of behavior or conceptual patterns. However, if you can break through the proton at a speed of about 27 miles in a catheter, you can question the classification of gravity. It is not enough to rely on theoretical physics: this is a entangled proposition caused by entanglement (literally and metaphor) entangled state.
"quantum entanglement" refers to the time of several or more particles interaction, which makes us unable to describe the quantum state of each particle alone, and can only use all particles as a whole. If the Enlightenment is a plate of salads, then the era of entanglement is a bowl of soup. In the era of entanglement, it is impossible to distinguish another ingredient from one component. The classification method has failed, and the high wall of the discipline no longer exists. At the apex of the KCC gyroscope, all areas (re -) merged into the "Pangu continent".
Due to the emerging manufacturing technology, the degree of artificial synthesis is close to the micro level of analysis, and the "writing" world has also become as clear and accurate as the "reading" world. For example, in the production process of prosthetic limbs, product characteristics are graded to match and respond to the physiological characteristics of specific individuals, and information is transmitted from MRI to 3D printing. For another example, wearable microorganisms are designed as small size and can be used to purify the intestines. Just like cave painters, through the creative expression, we can re -enter (or re -read) from different perspectives. Communication between different fields or cross -domains becomes clear and clear, because in the Cresses cycle, integration and disassembly can be transformed. In the era of entanglement, for the soul and individual of freedom, the moment of several work results and multiple cognitions have become an exciting moment of creation 9.
MIT Media Lab — "Ito's Pangu Continent" or "Niglo Pen Di Super continent" -The can be entangled, precisely because it creates things that can turn KCC: media. I refer to news, electronic products, digital media, or even social media. Instead, we have the same world: "We have their own world, we have each other."
The expression of the "entanglement era" was proposed by my close friend and colleague Danny Hillis that he had explored similar expressions.